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Chris is a Hawkes Bay artist, principal, and father with a passion for giving new life to reclaimed wood. He handcrafts waka hoe (paddles) and other taonga, transforming salvaged timber into pieces that carry both history and meaning. Each creation is a blend of tradition and storytelling, shaped by the natural beauty of the wood and the journey it has taken.
Through his wife’s Ngāti Kahungunu whakapapa, Chris has developed a strong connection to Taupunga Marae in Waimārama, Hawkes Bay. Being welcomed and embraced by her whānau and spending time within the wider marae community, has deepened his understanding of and respect for te ao Māori and the Māori worldview. This lived connection continues to influence both the intent and narrative of his work.
Guided by a deep respect for craftsmanship and heritage, Chris often finds inspiration in the process itself—allowing the wood’s grain, imperfections, and character to shape each design. His work extends beyond waka hoe, exploring other forms through carving and painting, always grounded in sustainability, storytelling, and connection. By repurposing materials from demolition yards and old furniture, Chris ensures that every piece has a past, a purpose, and a future—reflecting the belief that even the most worn materials can be transformed into something beautiful and meaningful.
Chris is a Hawkes Bay artist, principal, and father with a passion for giving new life to reclaimed wood. He handcrafts waka hoe (paddles) and other taonga, transforming salvaged timber into pieces that carry both history and meaning. Each creation is a blend of tradition and storytelling, shaped by the natural beauty of the wood and the journey it has taken.
Through his wife’s Ngāti Kahungunu whakapapa, Chris has developed a strong connection to Taupunga Marae in Waimārama, Hawkes Bay. Being welcomed and embraced by her whānau and spending time within the wider marae community, has deepened his understanding of and respect for te ao Māori and the Māori worldview. This lived connection continues to influence both the intent and narrative of his work.
Guided by a deep respect for craftsmanship and heritage, Chris often finds inspiration in the process itself—allowing the wood’s grain, imperfections, and character to shape each design. His work extends beyond waka hoe, exploring other forms through carving and painting, always grounded in sustainability, storytelling, and connection. By repurposing materials from demolition yards and old furniture, Chris ensures that every piece has a past, a purpose, and a future—reflecting the belief that even the most worn materials can be transformed into something beautiful and meaningful.